Symposium on American art 1960-80

    • 	Image: John Kaldor Family Gallery with Sol LeWitt’s Wall drawing #1091: arcs, circles and bands (room) 2003 © Estate of Sol LeWitt/ARS. Licensed by Viscopy, Sydney
    • Minimal. Conceptual. Pop.

      Lecture / symposium

This international symposium, convened in conjunction with the United States Studies Centre at the University of Sydney, explores the Art Gallery of NSW’s American art collections of the 1960s and 70s. This period of radical experimentation gave rise to many of the practices and aesthetics underpinning contemporary art.

Enriched by the gift of the John Kaldor Family Collection in 2009, the Gallery boasts the world’s finest museum collection of works by Sol Lewitt. Major pieces by Lewitt, Carl Andre, Christo, Donald Judd, Edward Ruscha, Richard Serra, Frank Stella and Laurence Weiner are on display during the symposium.

Three leading American experts, Alexander Alberro (Columbia), Charles W Haxthausen (Williams) and Robert Slifkin (NYU), will travel to Sydney for the event. They will be joined by Australian scholars including Sue Best, Keith Broadfoot, Rachel Kent, Chris McAuliffe, Meredith Morse and Ann Stephen. Convened for the US Studies Centre by Professor Roger Benjamin, the symposium will also throw new light on Australian responses to American art.

This is the second symposium funded by the Terra Foundation for American Art. The first, Abstract expressionism: Action. Painting. Now., was held at the National Gallery of Australia in August 2012.

Friday 16 & Saturday 17 August 2013
10am - 5pm

$104 (both days) / $65 (one day)
$80/$50 Gallery member
$48/$30 student
Includes lunch and afternoon tea

Bookings and enquiries:
02 9225 1740
pp@ag.nsw.gov.au

Read abstracts and biographies

Duration 7 hours
Location: Domain Theatre

Related galleries: Contemporary galleries

 
Terra Foundation US Studies Centre, University of Sydney

Image: John Kaldor Family Gallery with Sol LeWitt’s Wall drawing #1091: arcs, circles and bands (room) 2003 © Estate of Sol LeWitt/ARS. Licensed by Viscopy, Sydney

    • Friday 16 August 2013

      Charges apply

      Friday 16 August 10am – 5pm

      Read the description

      10 – 10.25 am
      Registration, Domain Theatre foyer

      10.30 – 10.45 am
      Michael Brand, Director, AGNSW, Welcome
      Roger Benjamin, USSC, University of Sydney, Introduction

      Morning session: New art on the public scale

      10.45 – 11.35 am
      Charles W Haxthausen, 'Doing wall drawings’: five notes on Sol LeWitt

      11.35am – 12.25pm
      Keith Broadfoot, Uncanny landscape: Christo, Jeanne-Claude and the arrival of contemporary art in Australia

      12.30 – 2 pm
      Lunch and viewing of contemporary galleries

      Afternoon session: Minimal aesthetics

      2 – 2.50 pm
      Robert Slifkin, The empty room and the end of man

      2.50 – 3.40 pm
      Susan Best, 'Utterly free of human associations’: impersonality in minimalism and conceptual art

      3.40 – 3.50 pm
      Break

      3.50 – 4.40 pm
      Meredith Morse, Dance/constructions: Simone Forti’s 'Huddle’, minimalist sculpture and ‘minimalist’ dance

      4.50 pm
      Close

    • Saturday 17 August 2013

      Charges apply

      Saturday 17 August 10am – 5pm

      Read the description

      10 – 10.15 am
      Registration, Domain Theatre foyer

      10.15 – 10.20 am
      Sean Gallagher, COO, US Studies Centre, Welcome

      Morning session: Conceptual and performance art

      10.20 – 11.10 am
      Chris McAuliffe, 'To discard, to repair, to continue’: minimalism and a larger modernism

      11.10am – 12pm
      Alexander Alberro, Conceptual art and language

      12 – 12.10 pm
      Break

      12.10 – 12.50 pm
      Ann Stephen, 1969: Australian landfall for Christo and conceptual art

      12.50 – 2 pm
      Lunch

      Afternoon session: Pop and the public for American art

      2 – 2.20 pm
      John Kaldor in conversation with Anthony Bond

      2.20 – 3.10 pm
      Jaklyn Babbington, Roy Lichtenstein: pop art in the remix era

      3.10 – 4 pm
      Rachel Kent, Language and meaning in the art of Ed Ruscha

      4 – 4.30 pm
      Concluding discussion