(Australia 1967 – )
- Not on display
- Further information
Rachel Ellis is highly regarded for the subtle geometry of her drawings of urban subjects – interiors, inner city backyards and rooftops.
For the artist 'Evensong' is 'a prayer to the author of light and nature' as experienced in the suburban everyday. Intensely personal, the setting for this drawing is the view to neighbours' houses on Durham and Havannah Streets, Bathurst, over the side fence of her house. However the real focus of attention is the weathered fence and two trees, one lopped (or amputated) to a tall stump, the other reaching upwards, feather-like, into the bright afterglow of late afternoon light.
Light to dense layers of charcoal worked well into the grain of heavy drawing paper, have created a bold chiaroscuro and a rich tactile graphic surface. The drawings of Lloyd Rees and Seurat come to mind, but also something of the spirit of Samuel Palmer and Frederick Griggs.
Rachel Ellis, a committed Christian, won the Blake Prize in 1996 with a powerful drawing of the woman wiping her tears from the feet of Jesus. 'Evensong' clearly has spiritual undertones - the slender feathered tree at the centre of the composition evokes the Christian cross and the ascension of Christ, the lopped tree arching towards it, one of the robbers' crosses as part of the Crucifixion.
- Place of origin
New South Wales,
- charcoal on paper
- 111.0 x 99.0 cm sheet; 124.7 x 112.2 x 6.0 cm
- Thea Proctor Memorial Fund 2012
- Accession number
- © Rachel Ellis