Title
Artificial landscape 68-1
1968
Artist
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Details
- Date
- 1968
- Media category
- Painting
- Materials used
- synthetic polymer paint on canvas
- Dimensions
- 166.7 x 132.4 x 6.8 cm stretcher
- Signature & date
Signed and dated u.l. verso canvas, black fibre-tipped pen "JAMES DOOLIN/ 1968/..."
Signed and dated u.l. verso on stretcher, black fibre-tipped pen "JAMES DOOLIN 1968...".- Credit
- Gift of Chandler Coventry 1972
- Location
- Not on display
- Accession number
- 8.1972
- Copyright
- © Estate of James Doolin
- Artist information
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James Doolin
Works in the collection
- Share
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Exhibition history
Shown in 4 exhibitions
The field, National Gallery of Victoria [St Kilda Road], Melbourne, 21 Aug 1968–28 Sep 1968
The field, Art Gallery of New South Wales, Sydney, 30 Oct 1968–24 Nov 1968
Central Street Live, Penrith Regional Gallery & The Lewers Bequest, Emu Plains, 16 Nov 2002–23 Feb 2003
Central Street Live, Macquarie University Art Gallery, Sydney, 07 Mar 2003–05 May 2003
Australian Collection Focus: Tackling THE FIELD, Art Gallery of New South Wales, Sydney, 05 Sep 2009–29 Nov 2009
The Field Revisited, Ian Potter Centre: NGV Australia, Melbourne, 27 Apr 2018–26 Aug 2018
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Bibliography
Referenced in 11 publications
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Christopher Allen, The Weekend Australian, 'Hard work: A new show reminds us of the limitations of colour-field abstraction', pg. 12-13, Canberra, 17 Oct 2009-18 Oct 2009. Focus room exhibition review.
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Gary Catalano, The years of hope: Australian art and criticism 1959-1968, Melbourne, 1981, 179. General reference to series of 'Artificial landscape' paintings.
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James Doolin., James Doolin: 'Artifical Landscape' paintings, 'Letter extracts from James Doolin concerning the present exhibition about the Artificial Landscape', Sydney, 1970. General reference to series of 'Artificial landscape' paintings.
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Mervyn Horton (Editor), Present day art in Australia, Sydney, 1969, 60 (colour illus.).
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Elin Howe, Central Street live, Sydney, 2002, 36. no catalogue numbers; General reference to series of 'Artificial landscape' paintings.
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Elwyn Lynn, The field, 'An important academy' by Royston Harpur; Untitled essay, pg. 84-85, Melbourne, 1968, 21 (colour illus.), 85, 89, 93. cat.no. 20; General references to Doolin's work in the exhibition.
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Patrick McCaughey., Art and Australia, 'The significance of The Field', Sydney, Dec 1968, 240 (colour illus.), 242.
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Paul McGillick (Editor), Aspect: Art and Literature [vol 5, no. 1-2], 'Five migrant artists in Australia', Australia, 1980, 23-25. General reference to series of 'Artificial landscape' paintings.
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Tony McGillick., James Doolin Shopping Mall 1973-77: a conceptual perspective, 'James Doolin since 1965', Melbourne, 1978. General reference to series of 'Artificial landscape' paintings.
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Eric Riddler, Art and Australia (Vol. 41, No. 1), 'Central Street Live: a 'swinging sixties' phenomenon', pg. 48-49, Sydney, Sep 2003-Nov 2003, 48 (colour illus.). Review of the exhibition 'Central Street Live', held at Penrith Regional Gallery & the Lewers Bequest, and Macquarie University Art Gallery, 2002-2003.
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Natalie Wilson, Tackling THE FIELD, 'Tackling The Field', pg. 1-29, Sydney, 2009, 3 (illus.), 8, 13 (colour illus.), 14. NOTE: This work features in a black and white installation photograph of the NGV 'The Field' exhibition located on page 3.
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