(Scotland 27 Jan 1871 – 11 Oct 1935)
Still life: apples and jar
- Modern gallery
- Further information
Samuel Peploe is typical of the many British artists who succumbed to the magnetism of Cezanne in the early part of the twentieth century. One of the so-called Scottish colourists, a loosely allied quartet of post-impressionist painters, he made a decisive visit to France before the war, during which time this well-constructed still life was completed. Generous in its dispersal of pigment, it is nonetheless an example of modernist 'belle maniere' - refined and beautiful painting. The surface appearance of this work derives from a system of square-brushing that links Peploe, via Cezanne, back to artists of the nineteenth-century Glasgow School like John Lavery. Naturally, Peploe saw himself as a modern, but he was also a patriot for whom national sentiments had their place in art. In the 1920s he and his closest colleague, Francis Cadell, painted views of the Scottish regions which they dubbed 'Ionascapes'.
AGNSW Handbook, 1999.
- circa 1912-circa 1916
- oil on canvas
- 51.0 x 55.8 cm stretcher; 69.5 x 74.5 x 7.7 cm frame
- Signature & date
- Not signed. Not dated.
- Purchased 1947
- Accession number
- The Scottish Gallery (Scotland, estab. 1842), 1947, Edinburgh/Scotland, Purchased by the AGNSW from the Scottish Gallery 1947
William Mactaggart (Scotland, b.1903, d.1981), Scotland