-
Details
- Date
- 2006
- Media category
- Sculpture
- Materials used
- wood and acrylic paint
- Dimensions
-
0 - Whole, 93 x 110 x 45.5 cm
0 - Whole, 75 x 180 x 90 cm
- Signature & date
Not signed. Not dated.
- Credit
- Gift of Eleonora and Michael Triguboff 2019. Donated through the Australian Government’s Cultural Gifts Program
- Location
- North Building, lower level 2
- Accession number
- 127.2019.a-b
- Copyright
- © Callum Morton, courtesy RoslynOxley9 Gallery
- Artist information
-
Callum Morton
Works in the collection
- Share
-
About
The drive-in cinema screen is a recurring motif in the work of Melbourne artist, Callum Morton. This post-war relic is of interest to Morton because it is a redundant form of architecture that has been superseded by other types of screen-based entertainment, such as computers and mobile phones. Most drive-ins have been demolished, however some of these structures can still be found in the suburbs, serving as nostalgic monuments to post-war leisure, affluence and pop culture. By downsizing the drive-in cinema into a finely built model, Morton draws our attention to how some forms of 20th century architecture are haunted by the past. He also explores the idea of the tabula rasa in these sculptures, their screens a blank slate upon which we project our own meanings. The face of this particular screen features a retro op-art design, recalling abstract painting of the 1960s.
-
Exhibition history
Shown in 4 exhibitions
Callum Morton: piles, pools and projections, Roslyn Oxley9 Gallery, Paddington, 02 Nov 2006–25 Nov 2006
Tomorrow land and more, Perth Institute of Contemporary Arts, Perth, 05 Jul 2007–21 Aug 2007
Shadow Catchers, Art Gallery of New South Wales, Sydney, 22 Feb 2020–03 Jan 2021
What Does The Jukebox Dream Of?, Art Gallery of New South Wales, North Building, Sydney, 09 Mar 2024–22 Sep 2024