Title
Plate featuring a map of Japan and neighbouring islands and countries
1830-1843
Artist
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Details
- Other Title
- Imari ware map plate
- Place where the work was made
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Japan
- Period
- Tenpo era 1830 - 1844 → Edo (Tokugawa) period 1615 - 1868 → Japan
- Date
- 1830-1843
- Media category
- Ceramic
- Materials used
- porcelain with underglaze blue
- Dimensions
- 5.6 x 32.4 x 29.0 cm
- Signature & date
Not signed. Dated on base, in Japanese, "[Made in the Tempô period]".
- Credit
- Purchased 1981
- Location
- South Building, lower level 1, Asian Lantern galleries
- Accession number
- 154.1981
- Copyright
- Artist information
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Arita ware
Works in the collection
- Share
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About
Throughout the Edo period Arita potters explored an immense repertoire of decorative devices. Among the most striking of these motifs is the ‘Rectangular plate with a map of Japan and neighbouring islands’. Maps were in use in Japan long before the ‘nanbanjin’ (‘southern barbarian’) Portuguese traders and Catholic priests had introduced the science of cartography (7). Nevertheless, it was only in the early nineteenth century that the novel use of maps as ceramic decoration appeared in Japan. It was a reflection of the growing self-perception of the nation as a single entity, a result of increasing domestic travel in Japan during the Edo period. By the early nineteenth century, even though there was growing awareness in Japan of its own existence in the wider world, contemporaneous insularity was still reflected in the details of the plate’s design. Each Japanese province is named, in contrast to other lands, labelled with such titles as ‘country of little people’. (8)
(7) See Kouwenhoven (2000)
(8) Menzies (ed.) (2003a, p.266).Excerpt from Daniel McOwan, ‘European export ware’ in James Bennett and Amy Reigle Newland (eds.), ‘The golden journey: Japanese art from Australian collections’, Art Gallery of South Australia, 2009, p. 242.
©Art Gallery of South Australia 2009. Reproduced by permission.Arita ware or Imari ware?
Arita ware (porcelain made around the Arita region) is commonly referred to as 'Imari ware' both in Japan and overseas because porcelain products from the region were transported to domestic and overseas markets through the port of Imari, approximately 15km north of Arita. For the sake of consistency, all porcelain works produced during the Edo period in the Art Gallery Of New South Wales collection are catalogued according to the production site, e.g. Arita ware and Hasami ware.Imari itself was home to the Nabeshima ware, exclusively produced at the Ôkawachi kilns for official use of the ruling Nabeshima clan. With the establishment of the Meiji government in 1868 the independent fiefs of the Edo period were replaced by prefectures in 1871, and the Ôkawachi kilns entered the free market. The term 'Imari ware' (or Ôkawachi ware) now applies to works produced in Imari from 1871 to the present.
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Places
Where the work was made
Japan
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Exhibition history
Shown in 3 exhibitions
The golden journey: Japanese art from Australian collections, Art Gallery of South Australia, Adelaide, 06 Mar 2009–13 Jun 2009
In one drop of water, Art Gallery of New South Wales, Sydney, 15 Jun 2019–21 Feb 2021
Elemental, Art Gallery of New South Wales, Sydney, 30 Jul 2022–2024
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Bibliography
Referenced in 3 publications
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Daniel McOwan, The golden journey: Japanese art from Australian collections, 'European export ware', pg. 240-243, South Australia, 2009, 242 (colour illus.), 331 (colour illus.).
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Jackie Menzies, Three years on: a selection of acquisitions 1978-1981, 'Asian Art', pg. 85-103, Sydney, 1981, 92 (illus.). cat.no. 11
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Jackie Menzies (Editor), The Asian Collections Art Gallery of New South Wales, 'Ceramics', Sydney, 2003, 266 (colour illus.).
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Provenance
Imari Castle, pre 1981, Sydney/New South Wales/Australia, purchased by the Art Gallery of New South Wales, Sydney, 1981.