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Details
- Place where the work was made
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Sydney
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New South Wales
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Australia
- Date
- 2010
- Media categories
- Painting , Sculpture
- Materials used
- oil on wood
- Dimensions
- 210.0 x 210.0 x 4.0 cm
- Signature & date
Signed u.r. verso, black fibre-tipped pen "Hilarie Mais". Dated u.l. verso, black fibre-tipped pen "... 2010".
- Credit
- Contemporary Collection Benefactors 2013
- Location
- Not on display
- Accession number
- 200.2013
- Copyright
- © Hilarie Mais
- Artist information
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Hilarie Mais
Works in the collection
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About
'RES' 2010 constitutes Hilarie Mais' current search and discovery for new modes of 'abstract visualisation' with and from within the grid, as defined by 'formational principles of natural occurrence' (Wright, 2012). Mais has been critically engaged with this archetype since her Sydney Biennale installation 'Doors, thoughts: the maze' 1986, explaining that 'It is such a loaded historical structure, a modernist and ancient form, a layered icon. As with the spiral it has historical and cultural associations'.
The sculpture/painting has been irregularly assembled from varying lengths of interlocking vertical and horizontal wooden sticks, contained neither by frame or border. Mais has then hand-painted a scheme of interlinking pure red squares that are at once a description and outcome of its 'growth system' i.e. the decisions and steps made during the construction of the form. 'RES' is what the artist classifies an 'Indentifying structure'- viewed from a distance we instinctively experience Gestalt as the eye registers space and volume, the mind perceiving a unified network of cubes inside this shallow relief.
In Latin the title 'res' translates to a nonspecific 'thing' or 'occurrence'; appropriate considering how the artwork has generated organically from somewhere within itself.
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Places
Where the work was made
Sydney
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Exhibition history
Shown in 5 exhibitions
Hilarie Mais, John Buckley Gallery, Richmond, 18 Aug 2011–11 Sep 2011
Triptych: Mais, Mais Wright, Wright, Drill Hall Gallery, Australian National University, Canberra, 29 Sep 2011–06 Nov 2013
Hilarie Mais: identifying structures, William Wright/ Artists, East Sydney, 11 Oct 2012–03 Nov 2012
Forcefields, Art Gallery of New South Wales, Sydney, 28 Feb 2014–14 Sep 2014
Hilarie Mais, Museum of Contemporary Art, Australia, 24 Aug 2017–19 Nov 2017
Hilarie Mais, TarraWarra Museum of Art, Healesville, 24 Feb 2018–29 Apr 2018
Hilarie Mais, Drill Hall Gallery, Australian National University, Canberra, 07 Jun 2018–29 Jul 2018
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Bibliography
Referenced in 4 publications
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Drill Hall Gallery, Australian National University (Compilator), ANU Drill Hall Gallery: Exhibition Program 2011, 'Triptych: Mais, Mais Wright, Wright', Canberra, 2011, n.pag. (colour illus.).
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Michael Fitzgerald (Editor), Art Monthly Australasia, Canberra, Sep 2017, front cover (colour illus.).
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Sally Prior., The Canberra Times, 'Turning family tradition into an art form', Canberra, 29 Sep 2011, (colour illus.).
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William Wright., Hilarie Mais, Identifying Structures, 'Hilarie Mais, Identifying Structures', Sydney, 2012, n.pag..
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