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Details
- Date
- 1934
- Media category
- Materials used
- colour linocut on thin ivory laid tissue
- Dimensions
- 19.6 x 26.6 cm image
- Signature & date
Signed and dated l.r. corner, pencil "Ethel Spowers 1934.".
- Credit
- Gift of Mrs Eric Quirk 1975
- Location
- Not on display
- Accession number
- 255.1975
- Copyright
- Artist information
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Ethel Spowers
Works in the collection
- Share
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Exhibition history
Shown in 1 exhibition
Modern impressions; Australian prints from the collection, Art Gallery of New South Wales, Sydney, 02 Sep 2016–Jan 2017
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Bibliography
Referenced in 5 publications
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Craig Brush, Look, ‘The new city explored: Learning Curve lecture series shows the way’, pg. 46, Sydney, May 2013, 46 (colour illus.).
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Roger Butler., Melbourne woodcuts and linocuts of the 1920's and 1930's, 'Woodcuts and Linocuts of the 1920s and 1930's', Sydney, 1981, (colour illus.), (illus.). Collection of Ballarat Fine Art Gallery; Not paginated; No catalogue numbers
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Stephen Coppel, Linocuts of the machine age: Claude Flight and the Grosvenor school, 'The Australians: Dorrit Black, Ethel Spowers and Eveline Syme', pg. 65-68, England, 1995, (colour illus.), 176 (illus.). cat.no. ES 29; plate no. 39; NOTE: this is not the AGNSW impression.
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Louise Tegart (Editor), Slow burn: A century of Australian women artists from a private collection, Sydney, 2010, 36, 37 (colour illus.). NOTE: This is not AGNSW impression.
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Helen Topliss, Modernism and Feminism Australian Women Artists 1900-1940, Sydney, 1996, 153 (illus.). Illustration 85; Collection of National Gallery of Australia; dated 1933
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