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Details
- Date
- 2011
- Media categories
- Time-based art , Installation
- Materials used
- single channel digital video, colour, silent, plywood
- Edition
- AP1 of 3 + 2 AP
- Dimensions
- duration: 00:05:20 min, aspect ratio: 16:9
- Signature & date
Signed l.c. certificate of authenticity, black fibre-tipped pen "L. Brincat.". Not dated.
- Credit
- Gift of the artist 2016. Donated through the Australian Government's Cultural Gifts Program
- Location
- Not on display
- Accession number
- 402.2016.a-b
- Copyright
- © Lauren Brincat
- Artist information
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Lauren Brincat
Works in the collection
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About
'This time tomorrow: Tempelhof' belongs to an ongoing series of performances-for-video produced by Brincat since 2009, which show the artist marking out paths through different environments, from a lush empty field to a chaotic urban expressway. These simple propositions, performed with pragmatism, hark back to the instructional scores and minimal movement language of the sixties interdisciplinary avant-garde. Walking is framed as both an expanded act of drawing and as psychosocial mapping, which always culminates with Brincat's disappearance beyond the limits of the camera's view.
'This time tomorrow' documents Brincat walking in a straight line down an airport tarmac, a gesture that plays the limits of the body against those of technology. Her pace and scale are in stark contrast to the vastness of the tarmac and the speed evoked by the skid marks that surround her. Although the action is highly reduced, the title of the work introduces an emotional dimension, alluding to the longing produced by homesickness and the alienating effects of distance, even in an era when the globe can be traversed overnight.
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Exhibition history
Shown in 3 exhibitions
Nothing like performance, Artspace, Woolloomooloo, 25 Nov 2011–22 Dec 2011
LANDSEASKY: revisiting spatiality in video art, Gallery Skape, Seoul, 22 Feb 2014–23 Mar 2014
LANDSEASKY: revisiting spatiality in video art, One and J. Gallery, Seoul, 22 Feb 2014–23 Mar 2014
LANDSEASKY: revisiting spatiality in video art, Opsis Art, Seoul, 22 Feb 2014–23 Mar 2014
LANDSEASKY: revisiting spatiality in video art, Gallery IHN, Seoul, 22 Feb 2014–23 Mar 2014
LANDSEASKY: revisiting spatiality in video art, Artsonje Center, Seoul, 22 Feb 2014–23 Mar 2014
LANDSEASKY: revisiting spatiality in video art, Lee Hwaik Gallery, Seoul, 22 Feb 2014–23 Mar 2014
LANDSEASKY: revisiting spatiality in video art, OCT Contemporary Art Terminal, Shanghai, Shanghai, 20 Apr 2014–22 Jun 2014
LANDSEASKY: revisiting spatiality in video art, National Art School, Darlinghurst, 21 Aug 2014–11 Oct 2014
LANDSEASKY: revisiting spatiality in video art, Griffith University Art Museum, Brisbane, 01 Oct 2014–13 Nov 2014
Terminal, City Gallery Wellington, Wellington, 13 Aug 2020–14 Feb 2021
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Bibliography
Referenced in 4 publications
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Blair French., Column 10, 'There is nothing like performance. Everything is like performance.', Sydney, 2012, 70, 119 (colour illus.).
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Beatrice Gralton, The Guide. 20'th Biennale of Sydney: The future is already here- it's just not evenly distributed, 'Lauren Brincat', pg. 242-243, Sydney, 2016, 242 (colour illus., video still), 243. exhibition program
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Kim Machan, LANDSEASKY: revisiting spatiality in video art, 'Introduction', pg. 9-13, Brisbane, 2015, 11, 62-63 (colour illus.). <https://issuu.com/media_art_asia_pacific/docs/lss_cat_issu_lowres/1?e=6147289/35565764/>
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Stephanie Rosenthal (Editor), 20th Biennale of Sydney: The future is already here - it's just not evenly distributed, Australia, 2016, 310 (colour illus., video still). exhibition catalogue
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