We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Cactii garden

1985

Artist

Cressida Campbell

Australia

08 Jul 1960 –

  • Details

    Date
    1985
    Media category
    Print
    Materials used
    colour woodcut on cream Fabriano paper
    Edition
    3/3
    Dimensions
    69.1 x 55.4 cm blockmark; 93.5 x 69.5 sheet
    Signature & date

    Signed and dated l.r., pencil "Cressida Campbell '85".

    Credit
    Purchased 1985
    Location
    Not on display
    Accession number
    64.1997
    Copyright
    © Cressida Campbell/Copyright Agency

    Reproduction requests

    Artist information
    Cressida Campbell

    Works in the collection

    9

    Share
  • About

    Cressida Campbell began making prints while a student at East Sydney Technical College in 1978-79. In 1985 she visited Japan, where she studied Japanese woodblock printing at the Yoshida Hanga Academy in Tokyo. She began making large colour woodblock prints like 'Cactii garden' that same year. Her method differs from the traditional Japanese method however, in that she does not use a different block for each colour, and applies watercolour with a small brush, rather than using ink scrubbed on the block with a hard brush and run through a press. Her early prints were made in small editions of up to ten, but more recently her work has usually been limited to one print.

    "I begin each woodblock by drawing straight onto the block from life, making notes of some of the colours, and then return to the studio where I carve the block and paint it.
    When two coats of paint have dried I spray the block with water and place a sheet of Fabriano paper over the image. Using a roller I apply pressure onto the back of the paper.
    This method is a combination of painting and printing. I like to use water colour paint instead of ink because when it is printed there is an interesting texture left on the paper. The colour obtained from this method of printing is curiously more intense than if the water colour paint was applied directly to the paper. The drawing for the print is realistic and detailed. The colours used are not necessarily realistic". ('Australian Perspecta '85', AGNSW, 1985, pg. 87)

    Hendrik Kolenberg and Anne Ryan, 'Australian prints from the Gallery's collection, AGNSW, 1998

  • Exhibition history

    Shown in 3 exhibitions

  • Bibliography

    Referenced in 2 publications

Other works by Cressida Campbell

See all 9 works