An image of Marwat

Nyapanyapa Yunupingu

(Australia circa 1945 – )

Community
Biranybirany (Caledon Bay), Arnhem region
Language group
Gumatj, Arnhem region

Marwat

Location
Not on display
Further information

Nyapanyapa Yunupingu's paintings are truly unique, both in their subject matter and in their execution. She only began painting regularly with natural pigments on bark and larrakitj (hollow logs) in 2007 and has quickly become recognised for her originality and spontaneity. Rather than depict ancestral stories she has inherited from her family, Yunupingu's earliest works focused on particular events from her own life, rendered in animated detail. More recently she has created works which she describes as Mayilimiriw - meaningless. In these works the rhythm of painting and the combination of form, line and colour become the work itself.

Nyapanyapa Yunupingu's drawings are a stark contrast to the highly geometric works being produced by most artists working in Yirrkala today and to the tightly composed paintings produced by artists in the past such as her father, Munggurrawuy Yunupingu.

Yunupingu's works offer a dynamic new development in the art of Yirrkala as she purposefully chooses not to engage with the ancestral narratives of her community, not out of any lack of respect but rather as a decision to pursue an individual artistic path, a position complementary to her distinctive aesthetic and her enjoyment in the act of painting itself.

Place of origin
Yirrkala, North-east Arnhem Land, Northern Territory, Australia
Cultural origin
Biranybirany (Caledon Bay)/Arnhem region
Year
2014
Media
Drawing
Medium
black fibre-tipped pen, natural pigments on paper
Dimensions
130.0 x 130.0 cm
Credit
Purchased with funds provided by the Aboriginal Collection Benefactors' Group 2015
Accession number
67.2015
Copyright
© Nyapanyapa Yunupingu, Buku-Larrnggay Mulka Centre, Yirrkala