Title
Supper at Emmaus
(circa 1953)
Artist
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Details
- Date
- (circa 1953)
- Media category
- Painting
- Materials used
- oil on hardboard
- Dimensions
- 40.3 x 27.3 cm; 49.8 x 36.5 x 6 cm frame
- Signature & date
Signed u.l., "O'Brien". Not dated.
- Credit
- Purchased 1953
- Location
- Not on display
- Accession number
- 8729
- Copyright
- © Estate of Justin O'Brien
- Artist information
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Justin O'Brien
Works in the collection
- Share
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Exhibition history
Shown in 5 exhibitions
Exhibition of pictures: Justin O'Brien (1953), Macquarie Galleries, Sydney, 16 Jun 1953–30 Jun 1953
Religious art: from the permanent collection, Art Gallery of New South Wales, Sydney, 04 Aug 1961–20 Aug 1961
Third Annual Australian Arts and crafts exhibition (1964), Glenbrook School of Arts, Glenbrook, 17 Apr 1964–18 Apr 1964
Hand and eye - a survey of artists' materials and techniques: Art Gallery of New South Wales Travelling Art Exhibition 1970, Various venues, , 1970–1970
Onsight - The Expressive Image, Various venues, , 12 May 1987–13 May 1988
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Bibliography
Referenced in 7 publications
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Dennis Colsey, Hand and eye - a survey of artists materials and techniques: Art Gallery of New South Wales Travelling Art Exhibition 1970, Sydney, 1969, (illus.). cat.no. 69
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Art Critic., Daily telegraph and daily news, 'O'Brien's works on show', Sydney, 16 Jun 1953. page number unknown; Review of Macquarie Galleries exhibition
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D.R.W., Le Courrier Australien, 'At Sydney Galleries: Justin O'Brien', Sydney, Jun 1953. page number unknown; Review of Macquarie Galleries exhibition
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James Gleeson., Sun, 'Exhibition of Justin O'Brien's work', Sydney, 16 Jun 1953. page number unknown; Review of Macquarie Galleries exhibition
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Glenbrook School of Arts, Third Annual Australian Arts and crafts exhibition (1964), Blue Mountains, 1964. no catalogue number
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Art Critic (Paul Haefliger)., The Sydney Morning Herald, 'The art of Justin O'Brien', Sydney, 16 Jun 1953. page number unknown
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Barry Pearce and Natalie Wilson, Justin O'Brien: the sacred music of colour, Sydney, 2010, 165.
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