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Details
- Date
- 1940
- Media category
- Painting
- Materials used
- oil, newspaper collage on canvas
- Dimensions
- 89.0 x 91.7 cm stretcher; 107.9 x 110.6 x 5.7 cm frame
- Signature & date
Signed and dated bot. c., black oil "S.Herman 40".
- Credit
- Purchased with funds provided by Bond Street City Freeholds Ltd 1989
- Location
- Not on display
- Accession number
- 98.1989
- Copyright
- © Sali Herman Estate
- Artist information
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Sali Herman
Works in the collection
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About
'He is aware that colour also has its architecture. So each of his paintings has its relations of warm and cool colour, of dark to light tones, of flat to modulated surfaces, of rough to smooth textures.'
Bernard Smith, 1948Sali Herman arrived in Melbourne in 1937, well versed in contemporary art practices of the era, having viewed modern paintings in Switzerland and France. Forthright and articulate with ideas about painting, he strove to make a contribution to the modern movement in Australian art.
'Still life' encapsulates Herman's vision, presenting the viewer with an abstract composition executed in paint and collage. The work depicts a fishing boat on the shore with the day’s catch on the sand, set in an ambiguous space. The incised netting and fish scales add visible texture to the work, while the newspaper fragment adhered directly to the canvas points to cubist influences.
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Exhibition history
Shown in 2 exhibitions
Still life, Art Gallery of New South Wales, Sydney, 27 Jul 2013–23 Apr 2014
Open Studio (brick vase clay cup jug), Art Gallery of New South Wales, Sydney, 01 Jul 2023–07 Jan 2024
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Bibliography
Referenced in 2 publications
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Deborah Edwards, Australian art: in the Art Gallery of New South Wales, 'Moderns', pg. 103-104, Sydney, 2000, 129 (colour illus.), 300.
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Daniel Thomas AM, Sali Herman, 'Pre-war Sydney', pg. 15-18, Sydney, 17. plate no. 8 (colour illus.); 'Collection: Mr Steven S. Hutter'
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