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Details
- Date
- 1996
- Media categories
- Sculpture , Time-based art
- Materials used
- analog disc (laserdisc) shown as single channel digital video, black and white, silent, modified CRT monitor, metal stand
- Edition
- 2/2 (edition of 2 + artist's proof)
- Dimensions
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duration: 00:25:10 min; aspect ratio: 4:3; 122.0 x 40.0 x 40.0 cm overall
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a - monitor, 31 x 23.5 cm
b - stand, 91 x 40 x 40 cm
- Signature & date
Signed l.l. certificate of authenticity, black fibre-tipped pen "Gary Hill". Not dated.
- Credit
- John Kaldor Family Collection
- Location
- Not on display
- Accession number
- L2010.39.a-c
- Copyright
- © Gary Hill (1996)
- Artist information
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Gary Hill
Works in the collection
- Share
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Bibliography
Referenced in 7 publications
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Natasha Bullock, John Kaldor family collection: Art Gallery of New South Wales, 'Gary Hill', pg.270-71, Sydney, 2011, 270, 271 (colour illus.).
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Ester Coen and Giuliana Stella, Gary Hill: Resounding Arches / Archi Risonanti, 2005, 21.
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Kunstmuseum Wolfsburg, Gary Hill: Selected Works and catalogue raisonné, 2002, 199.
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Deanne Pytlinski, Chicago Art Journal 11, 'Liminality and ritual in the art of Gary Hill', pg.64-65, Spring 2001.
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George Quasha, Gary Hill, Bruce Nauman: international new media art, 'Gary Hill's Art of the Threshold', 2002, 32 (illus.). cat.no.11
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George Quasha and Charles Stein, An art of limina: Gary Hill's works and writings, 2009, 336-7 (illus.), 583. no.55
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Jorg Zutter, artonview no.32, 'Gary Hill / Bruce Nauman: International New Media Art', pg.6-11, Summer 2002-2003.
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