-
Details
- Place where the work was made
-
Sydney
→
New South Wales
→
Australia
- Date
- (circa 1940)
- Media category
- Painting
- Materials used
- oil on canvas
- Dimensions
-
101.5 x 74.5 cm stretcher; 114.3 x 78.5 x 4.5 cm frame
:
0 - Whole, 101.6 x 74.7 cm, Old curators catalogue card
- Signature & date
Signed l.l. corner, brown oil "Rah Fizelle". Not dated.
- Credit
- Purchased 1965
- Location
- Not on display
- Accession number
- OA13.1965
- Copyright
- © Estate of Rah Fizelle
- Artist information
-
Rah Fizelle
Works in the collection
- Share
-
Places
Where the work was made
Sydney
-
Exhibition history
Shown in 2 exhibitions
Balson, Crowley, Fizelle, Hinder, Art Gallery of New South Wales, Sydney, 05 Oct 1966–30 Oct 1966
Balson, Crowley, Fizelle, Hinder, Newcastle Art Gallery, Newcastle, 09 Nov 1966–11 Dec 1966
Seeing is believing - the art in photography, Art Gallery of New South Wales, Sydney, 13 Dec 1985–19 Jan 1986
-
Bibliography
Referenced in 5 publications
-
Mary Eagle, Australian Modern Painting Between the Wars 1914-1939, 'Sydney divided', pg. 138-165, Sydney, 1989, 144, 145 (colour illus.).
-
Renée Free, Balson, Crowley, Fizelle, Hinder, Sydney, 1966, 15. cat.no. 43
-
Frank Hinder, Art and Australia, 'Rah Fizelle', pg. 130-133, Sydney, Sep 1965, 133 (illus.).
-
Olympic Civic Committee of Melbourne City Council, The arts festival of the Olympic Games, Melbourne: a guide to the exhibitions with introductory commentaries on the arts in Australia, Melbourne, 1956. cat.no. 37 in Paintings and Drawings section; titled 'Seated Figure', National Gallery of Victoria Melbourne
-
Ursula Prunster, Seeing is believing: the art in photography, 'Art Deco & Modernism', Sydney, 1985. cat.no. 19; not paginated
-