We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Jiawei Shen John So, the Lord Mayor of Melbourne

oil on canvas

198 x 122 cm

Jiawei Shen has been represented in the Archibald Prize on nine previous occasions and was named runner-up in 1997. Unlike most of his portraits, this is an 'official’ one. Normally, although his sitters pose for him, their poses are quite natural, depictions of everyday life. In this portrait, John So not only wears the Lord Mayor’s robe but is draped in a possum skin coat. The coat was an official gift from an Aboriginal elder in 2001, when he became the first Lord Mayor of Melbourne to be elected by popular vote. He was re-elected in 2004.

'The skin is an important symbol of the source of his political power,’ says Shen. 'Robe and skin, along with the chain, give him a ceremonial status. His pose needed to be ceremonial too. His right hand is held in a symbolic gesture as if he is making a pledge. In his eyes we see confidence and in the corners of his mouth, stamina. So this is an official politician’s portrait. For me it is a first attempt but hundreds of thousands of similar portraits have been made over the centuries.’ Shen’s first portrait of John So was painted for Melbourne City Council as an official commission in 2003. This is a second portrait and is similar to the first one.

Shen believes what makes this portrait unique is the use of three cultural symbols from three different continents brought together in harmony: the traditional European Lord Mayor’s robe and chain, the Australian Aboriginal traditional possum skin coat, and a Chinese face. 'It is an extremely new landscape of Australian political life in the 21st century,’ says Shen.

Born in Shanghai, Shen was a well-known artist in China before he moved to Australia in 1989. He has since painted numerous commissions. This work is now in the collection of the City of Melbourne.