(Australia, England 01 May 1935 – 26 Jun 2005)
- Not on display
- Further information
At the time this work was made, Aspden was living in Balmain, from which the title Mort Bay is taken. A visit to northern India in 1982 brought a new freedom of approach to his work, resulting in strongly gestural paintings of free-form shapes in exuberant colours. Black (which Aspden regarded as a colour) and cream were introduced as a new counterpoint – connected in part to the fire-blackened trees of Arnhem Land and the burning ghats he had witnessed in India.
At around this time Aspden began using as his monogram a small triangle, derived from the characteristic roof-front shape of the Haus Tambaran – a type of traditional ancestral worship house that he encountered in Papua New Guinea in 1981.
- oil on canvas
- 156.5 x 115.0 cm stretcher; 160.2 x 118.6 x 6.5 cm frame
- Signature & date
- Not signed. Not dated.
- Gift of the H.G. Slater Foundation 1984
- Accession number
- © Karen Aspden