An image of Madonna and Child

Francesco di Simone Ferrucci

(Italy 1437 – 24 Mar 1493)

Madonna and Child

Location
15th–19th c European art
Further information

The sentimentality and modesty of this relief reflect changing patterns of devotion in Italy at the time of the first flowering of the Renaissance. The ethereal, queenly Madonnas of medieval art have been superseded by a more human, and altogether more accessible conception of the Virgin. Here is a Madonna to be approached, perhaps kissed, and a Holy Child to be adored. Ferrucci trained in the famous Florentine workshop of Verrocchio, perhaps side by side with the young Leonardo da Vinci. Certainly this marble manifests the essential sweetness that Leonardo elaborated on the basis of Verrocchio's manner. Though an artist of the second rank, Ferrucci surpasses himself in this work. The modulations of drapery, the naturalistic rendering of the figures - especially the rotundity of the infant Christ - and the attention given to Mary's look of dreamy reverie: all these contribute to a work of art that is at once sacred and secular.

AGNSW Handbook, 1999.

Year
circa 1480
Media
Sculpture
Medium
marble
Dimensions
71.5 x 55.0 x 13.5 cm sight; 90.0 x 72.0 x 18.0cm frame (irreg.)
Signature & date
Not signed. Not dated.
Credit
Purchased 1971
Accession number
125.1971