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Details
- Alternative title
- La Pompe Notre-Dame, Paris
- Date
- 1852
- Media category
- Materials used
- etching
- Edition
- 6/9
- Dimensions
- 17.3 x 25.1 cm platemark; 22.0 x 29.0 cm sheet
- Signature & date
Signed l.l.corner, [incised plate] "C.Meryon...". Dated l.r.corner, [incised plate] "1852".
- Credit
- Purchased 1963
- Location
- Not on display
- Accession number
- DO1.1963
- Copyright
- Artist information
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Charles Meryon
Works in the collection
- Share
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Exhibition history
Shown in 4 exhibitions
Purchases and Acquisitions for 1963, Art Gallery of New South Wales, Sydney, 04 Mar 1964–29 Mar 1964
The Bitten Image: European etchings from the collection, Art Gallery of New South Wales, Sydney, 19 Jul 1980–14 Sep 1980
Meryon, Bracquemond & the 19th Century etching Renaissance, Art Gallery of New South Wales, Sydney, 18 Jun 1998–02 Aug 1998
Printmaking in the age of Romanticism, Art Gallery of New South Wales, Sydney, 06 Aug 2009–25 Oct 2009
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Bibliography
Referenced in 7 publications
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Art Gallery of New South Wales, 1963 Acquisitions, Sydney, 1963, 54. cat.no. 115
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Nicholas Draffin (Curator), The bitten image: European etchings from the collection, Sydney, 1980, 11.
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Geoffrey Holme (Editor), The etchings of Charles Meryon, London, 1921, 15, illus.. plate no. 14
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Renée Porter, Meryon, Bracquemond & the 19th Century Etching Renaissance, Sydney, 1998.
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Malcolm C Salaman, The Master: Charles Meryon, London, 1927, 5, illus.. plate no. 7
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Richard Schneiderman, The catalogue raisonné of the prints of Charles Meryon, London, 1990, 52, 53 (illus.), 54 (illus.), 55 (illus.). cat.no. 26. Illustration on pg. 53 is the third state, illustration on pg. 54 is the fourth (inscribed) & the sixth states, illustrations on pg. 55 are the eighth and tenth states.
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Hugh Stokes (Editor), The master etchers: Charles Meryon, London, illus.. plate no. 20
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