We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of New South Wales stands.

Georgiana Houghton Invisible Friends

A painting of many swirling lines in different colours

Georgiana Houghton Glory be to God 1864, courtesy of the Victorian Spiritualists’ Union Inc Melbourne, Australia

An abstract painting with a mass of swirling lines in different colours on a pale background

Georgiana Houghton The glory of the Lord 1864, courtesy of the Victorian Spiritualists’ Union Inc Melbourne, Australia

A painting of many swirling lines in different colours

Georgiana Houghton The Risen Lord 1864, courtesy of the Victorian Spiritualists’ Union Inc Melbourne, Australia

An abstract painting of swirling pink, purple and yellow lines on a pale background

Georgiana Houghton The flower of Samuel Warrand 1862, courtesy of the Victorian Spiritualists’ Union Inc Melbourne, Australia

A pink heart-shaped form above branches of leaves

Georgiana Houghton The flower of Helen Butler 1861, courtesy the Victorian Spiritualists’ Union Inc, Melbourne, Australia

Discover the ‘spirit drawings’ by a 19th-century British woman that rewrite art history

Georgiana Houghton Invisible Friends

4 November 2023 – 10 March 2024

Art Gallery of New South Wales

Naala Nura, our south building

Lower level 2

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Free

In conjunction with the major exhibition Kandinsky at the Art Gallery of New South Wales, Invisible Friends is a rare Sydney showing of ‘spirit drawings’ created in the 1860s and ‘70s by Georgiana Houghton (1814–84).

Recently ‘rediscovered’ by art history, Houghton’s outwardly abstract artworks – among the most astonishing images of her time – have now assured her place as one of the most radical of spiritualist artists and a precursor of the abstraction to come.

Houghton was a prominent figure of the early spiritualist movement in Victorian England, which played a significant role in 19th-century culture. Spiritualism is a belief system that centres around communication with the spirits of the dead, often through people known as mediums.

A trained artist, Houghton was also a medium. When painting, she sought to express the connection between the visible world and the invisible spirit realm, considering the ‘manifestation first, and art second’. With her hand guided by those she called her ‘invisible friends’ – long-dead artists, family, friends and angels – she created intricate, swirling, mesmeric images, only a few of which survive today.

This exhibition of her watercolours, rarely seen outside their home in the chapel of the Victorian Spiritualists’ Union, Melbourne, is presented alongside an exhibition of works by Vasily Kandinsky (1866–1944) to reveal the significant role spiritualism played in early modernism.