Skip to content

Slideshow of selected works

To view the slideshow, click on one of the small images first.

	Maria KozicMASTERPIECES (Warhol) 1986JW Power Collection, University of Sydney, managed by Museum of Contemporary Art, purchased 1987© Courtesy of the artist and Anna Schwartz Gallery
  • 	Maria KozicMASTERPIECES (Warhol) 1986JW Power Collection, University of Sydney, managed by Museum of Contemporary Art, purchased 1987© Courtesy of the artist and Anna Schwartz Gallery
  • 	Martin SharpMister Tambourine Man 1967Art Gallery of NSW, Thea Proctor Memorial Fund 1970 © Estate of Martin Sharp. Licensed by Viscopy, Sydney
  • 	Andy WarholTriple Elvis 1963Virginia Museum of Fine Arts, Richmond. Gift of Sydney and Frances Lewis© Andy Warhol Foundation. Licensed by Viscopy, Sydney
  • 	Peter BlakeSelf-portrait with badges 1961Tate. Presented by the Moores Family Charitable Foundation to celebrate the John Moores Liverpool Exhibition 1979 © Peter Blake/DACS. Licensed by Viscopy, Sydney
  • 	Rosalyn DrexlerRace for time 1964Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC. Gift of Joseph H Hirshhorn, 1966© Rosalyn Drexler. Licensed by Viscopy, Sydney
  • 	Keith HaringUntitled 1982JW Power Collection, University of Sydney, managed by Museum of Contemporary Art, purchased 1987© Keith Haring Foundation
  • 	Andy WarholMarilyn Monroe 1967 (detail), from a suite of 10 screenprints, Frederick R Weisman Art Foundation, Los Angeles© The Andy Warhol Foundation for the Visual Arts, Inc/ARS. Licensed by Viscopy, Sydney. Photo: Bridgeman Image
  • 	Martin Sharp, Tim LewisStill life: (Marilyn) 1973National Gallery of Australia, Canberra, purchased 1973© Estate of Martin Sharp, licensed by Viscopy, Sydney; Tim Lewis
  • 	Cindy ShermanUntitled 1982Courtesy of the artist and Metro Pictures, New York© Cindy Sherman and Metro Pictures
  • 	Richard LarterThe hairdresser 1969Collection of Helen Eager and Christopher Hodges© Richard Larter, licensed by Viscopy, Sydney
  • 	Roy LichtensteinWoman in bath 1963Museo Thyssen-Bornemisza, Madrid© Roy Lichtenstein Foundation. Licensed by Viscopy, Sydney
  • 	Peter TyndallA Person Looks At A Work of Art / someone looks at something …LOGOS/HA HA 1985–87National Gallery of Victoria, Melbourne, purchased from Admission Funds, 1988© Peter Tyndall
  • 	ErróPop’s history 1967Reykjavík Art Museum© Erró. ADAGP, licensed by Viscopy, Sydney
  • 	Tom WesselmannStill life #29 1963Lent by Claire Wesselmann© The Estate of Tom Wesselmann/VAGA, New York. Licensed by Viscopy, Sydney
  • 	Jeff KoonsThree Ball 50/50 Tank (Spalding Dr. JK Silver Series) 1985Courtesy Murderme © Jeff Koons
  • 	Richard Hamilton Just what was it that made yesterday’s homes so different, so appealing? Upgrade 2004 The Metropolitan Museum of Art, New York. Gift of the artist 2004 © Richard Hamilton. Licensed by Viscopy, Sydney
  • 	David HockneyPortrait of an Artist 1972The Lewis Collection © David Hockney No1 US Trust
  • 	Howard ArkleyTriple fronted 1987Art Gallery of NSW, Mollie and Jim Gowing Bequest Fund 2014 © The Estate of Howard Arkley, courtesy Kalli Rolfe Contemporary Art
  • 	Andy WarholSelf-portrait no. 9 1986National Gallery of Victoria, Melbourne, purchased through The Art Foundation of Victoria with the assistance of the National Gallery Women’s Association, Governor, 1987© Andy Warhol Foundation for Visual Arts Inc. Licensed by ARS/Viscopy, Sydney
  • 	Bridgid McLeanUntitled 1969Art Gallery of NSW, Patrick White Bequest 2013© Bridgid McLean
  • 	Martial RaysseRear View Mirror 1962Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H Hirshhorn Bequest, 1981 © Martial Raysse. ADAGP/ Licensed by Viscopy, Sydney
  • 	Roy LichtensteinIn the car 1963Scottish National Gallery of Modern Art, purchased 1980© Estate of Roy Lichtenstein. Licensed by Viscopy, Sydney. Photo: Scottish National Gallery of Modern Art

Pop art is:
Popular …
Transient …
Expendable …
Low cost
Mass produced
Young …
Witty
Sexy
Gimmicky
Glamorous
Big business
This is just a beginning.

Richard Hamilton, 1957